Lukyanov Desert Men's Monastery. Monastery Holy Lucianova Men's deserts near

The construction of a new five-chapted stone cathedral at the very place where the first wooden temple of the Nativity of the Virgin was standing in recent years of the XVII century. The construction of the cathedral was entrusted to the Mason of Shabunin "from comrades."

The cathedral is a visual example. In this case, the late embodiment of this style in combination with a crucible composition for Russian temple architecture.

The high three pilot four, supplied to the dump, is completed by five small cylindrical drums with chapters and supplemented with a three-part altar apse, three-flexible in the plan. Chetserik blocked with a steep closed arch, and apxida is a three-part horse.

All the facades of the temple are separated by the blades on three highs, each of which is completed with the Kokoshnik. Western facade, as well as large parts of the northern and southern facades of obscured by a spacious gallery. Having survived the numerous "hosts" of the monastery, it is in a dilapidated state preserved to the present day and is waiting for recovery. In the third level of light there are high windows, framed by platbands in the style of Naryshkin Baroque with thin columns and torn triangular frontones. In the windows of all tiers, iron wrought-iron grilles are preserved, made of rectangular strips. On the windows of the second and third light lattice lattice and made from round in cross section of the rod.

Major, original S-shaped anchor tightening, which were used in the restoration of the temple in 1851 throughout the perimeter to strengthen the building were drawn to themselves.

In the sublock floor of the temple, before the closure of the monastery, there was a necropolis of the residents of the Doggy, Igumen of Abraham and other benefactors of the monastery. Cyrp has been restored in 2016.

Bogoroditsky Cathedral of Lukian Desert inside

In 1893, in the Lukian monastery, they were preparing to solemnly celebrate the miraculous icon of the Nativity of the Most Holy Mother of God in the year of the 300th anniversary of the phenomenon. This significant date in the cathedral was painted on the interior walls.

Academic Mainic Maine in the style of late classicism illustrated the life of Jesus Christ. Evangelical scenes were above the windows, three on each wall. And the images of the saints were placed at the bottom, between the windows. The letter is considered black and the proportion of it is somewhat sophisticated, the drawing is correct, the colorful combinations are restrained.

Only North, Western and South Walls of the Chetverka are painted. At each of them - three compositions combined with rocketous arches. On the northern wall there are compositions "Healing of the Blind", "Preaching John the Baptist" and "Blessing of Children".

Images of Rev. Kirill, Andrei and John are placed in the scenic of the lower row of windows.

On the western wall - the scene "The Baptism of Russia Sv. Prince Vladimir, "The Mother of God on the throne and" Baptism of Princess Olga ". Between the windows of the lower row were written by Rev. Savvathi, Sergius and Jerome, Anthony and Feodosius, Daniel.

On the southern wall there are the compositions "Resurrection of the daughter of the IAIR", "Nagorny sermon" and "healing of relaxed". Between the windows - Rev. Ephraim and Evfimia.

In the images of saints, blue, light green and pinkish saturated colors are dominated.

After the ceiling of the monastery, when the territory of the monastery was engaged in the house of persons with disabilities, the central part of the cathedral was used for drying linen, so the painting in more than its part was preserved to the present day. Today they make the gaze of monks and the monastery pilgrims. But the brotherhood does not lose hope that in the near future painting will be renovated and renovated with their pristine beauty in the recovered cathedral.

The temple of the Epiphany of the Lord is the most ancient in Lukian desert. His construction began in 1680 on the initiative of Rev. Cornelius.

The two-headed volume of the temple, as well as elongated the longitudinal axis of the two-way refectory, is considered unique samples of the Russian Temple Architecture of the late XVII century. If we talk about style, then the refectory, and the temple resemble the construction of the Assumption Monastery in Aleksandrov, built by the royal order. The temple of the Epiphany of the Lord can be safely called an example of the metropolitan architecture characteristic of time.

Chetverik and refectory form a single, elongated two-storey volume, ending with the east with two faceted apsides: larger on the south side and less, farthing, with North. Over the eastern part of the entire volume, the commander for the main and farther temples is rising, elongated in the transverse direction - it ends with two masters on round deaf drums.

From the west, a tent bell tower with an eight-grown tier of the ring on a square in terms of the base and two tiers of rumors in the tent was visible. On the bell tower installed five bells of the XIX - early XX century.

Before the bell tower is erected by a white porch with a tetrahed side of four pillars, causing associations with illustrations from Russian folk fairy tales. It is located later, and its modest eclectic decor with arches and hanging "girks" imites the fashion of that time.

The premises of the Epiphany Temple on two floors are spacious, whereas the bed has a very small size and a little apse. The adhesive of the temple and apse are blocked by box crashes, and apxida came - faceted horse. Premises on the sides of the bell tower have tray vaults.

The temple of the Epiphany of the Lord in the Lucian desert inside

The temple of the Epiphany of the Lord with the aidore of Prattylate is the only operating church in the monastery.

From a large stone pellets with columns and a vault, topped with a cross, a cool staircase leads to the entrance to the temple. The walls of the ladder span are painted in 2012.

Inside the temple, everything is simple, there is no perseverance, the walls are not painted. Small enders and high vaulted ceilings create muffled soft lighting even on the most sunny days.

In the central attack of the Epiphany of the Lord of the Service are committed on holidays and Sundays.

In the altar, there is a majority of the relics in brass leveling. On the wall of the altar, the icon of the Nativity of the Blessed Virgin Mary is located (List of the XIX century), which was stored until 1994 at the believers of Isaevka.

The place for the brethth of the monastery is separated from the refectory part of the temple with a small elevation, on which the closer is located, the place of igumeman and the festive icon is established. Draws attention to the three-tier brass candleted here for 32 candles.

In the refectory part, the western side of the second pillar is a large icon of the Nativity of the Blessed Virgin, written in 1998 on the basis of information about the lost miraculous image. Around the icon, representing the furnace, written by the Lord and Virgin Holidays. The south wall of the refectory part of the temple, to the right of the entrance, in a wooden carved kyota is kept by the church of the Blessed Virgin Mary of the XIX century, found in the Assumption Monastery in the 1990s. Nearby is the gold-plated keyboarding on a brass tamba with the relics of 50 saints.

To the left of the entrance, the eastern wall of the refectory part of the temple, - the Icon of the Mother of God "Justion of the Holy Mountain Athos" in a wooden carved kyot, nearby - power in a wooden carved cancer.

The northern chapel, consecrated in the name of the Great Martyr Theodore Pratilate, is used to conduct everyday services during the week. The iconostasis is a three-tiered, written in dark green tones. Local icons - the Lord of the Almighty and the Mother of God "Smolenskaya" (the latter is preserved intact after almost half a century neglected the first wooden temple at the beginning of the XVII century together with the revealed icon of the Nativity of the Blessed Virgin).

On the north side of the second from the input of the pillar is the icon of the Mother of God "unfavorable color" of the XVIII century. On the northern wall of the village, closer to the altar is a large icon of royal strata, written in the early 2000s, this part of the temple is also used to carry out the sacrament of the baptism and the great sanctification of water on the feast of the Epiphany.